December 1, 2011

Ground Zero for a Quiet Revolution

I will be delivering an ‘Anti-Awesome’ oration, and perhaps also some poesy, at the closing party for Dix Denney’s terrific show at the Sancho Gallery (1549 W.Sunset in Echo Park), Saturday night Dec 3rd, round about 9pm.

November 26, 2011

It’s About Time

It's About Time

A review of Christian Marclay’s 24-hour film, ‘The Clock’.

November 10, 2011

The Kiedis Problem

A certain party was inspired to pay tribute to the great poet and paragon of male beauty, Anthony Kiedis:

As part of the Pacific Standard Time offensive, an ad campaign has been launched – to reel the kids in, presumably – in which celebrities are enlisted to endorse the work of their supposedly favorite artists. Posters around town depict a shirtless (as ever) Anthony Kiedis – yes, the semi-talented egomaniac best known for boasting about all the drugs he took 20 years ago – flaunting his impeccable pecs (and/or abs) with Ruscha Hollywood Sign-in-reverse typeface superimposed behind him. According to the press release, Kiedis “personifies the mood and attitude of Southern California… like no other artist today,” which suggests we’re in more serious trouble than we may have previously thought. We are best represented by a junkie who walks around naked with nothing but a sock over his knob. Yeah, I know, he’s moved on: I’ve seen his mature work.

So, as  Kerouac suffers at the hands of Ruscha, so must Ruscha suffer the indignity of Kiedis’s seal of mediocrity. This addiction-flaunting braggart (bragging about art) is exactly the kind of ambassador the art world doesn’t need. In an accompanying three-minute video Kiedis and Ruscha drive around LA together (you get the idea), rhapsodizing about the city that has been so appreciative of their qualities. While Ruscha mumbles graciously, Kiedis, the celebrated wordsmith, discusses his special relationship with language: “I definitely relate deeply to the idea of words being art. When I see somebody else who’s got such a connection with words, I instantly feel connected to that person.” (Especially, one suspects, if that other person is famous.) It would be easy to point out the numerous  solecisms contained in those two sentences, but why be petty? I have nothing against the guy, I just don’t like the look (or sound) of him. And surely by now enough people can recognize a Ruscha or a Baldessari (who receives similar treatment from the almost-as- irritating Jason Schwartzman) without the aid of some smug celebrity striking poses in front of their work, which seems to imply that LA art can’t quite make it on its own without the imprimatur of its Hollywood adjunct.

November 10, 2011

ARTISTS ONLY

 

Never mind that you have nothing to bring to the table.
No problem, that is no longer a requirement.
A career in the arts is no longer the province of the unlucky few
who did what they had to do. Like poker, it’s a game open
to everybody now, and the tables are crowded with players
hungry for easy money and televised prestige.
Sacrifices are demanded of those who waver, hesitation is fatal;
false modesty or self-doubt get you quickly shaken out.
But the quality of the game has become vitiated, impenetrable
to the uninitiated, and the less talent you possess,
the more brazenly it must be heralded. Lay a golden egg
where carelessness meets calculation. The artist’s touch:
It pays, these days, to advertise your desperation.

November 6, 2011

Ed Ruscha: Down From The Mountain

Ed Ruscha: Down From the Mountain

A level-headed appraisal of Ed Ruscha’s recent output in the latest Artillery.

October 31, 2011

Doesn’t sound very tempting, does it?

But if you feel like dragging your ass across town at 7pm on a Tuesday evening to watch five middle-aged literary hacks hold forth, this might be what you’ve been waiting for.
October 9, 2011

PILGRIMAGE


Snow falls outside the hotel window,
floating carelessly through the air…
and I don’t care.
The town spreads out below me:
A sprawling red brick dream,
with white capped peaks beyond.
But I don’t respond.
Crushing boredom, grueling emptiness,
purifying alienation:
This is exactly what I came here for.
There is nothing more.

The snow brings silence with it,
sinking into the frozen darkness of a Sunday night.
On these tired, sour, leaden streets,
the bitter desolation is too much to take
for very long.  I return to my station:
Stretched out on a bed,
gazing at a distant mountain range
or staring at a faucet in a trance.
It’s not refreshing, it doesn’t seem strange
and seductive, as it appeared in advance.
Far from the City of Refuge,
with no practical scheme,
constantly ruing the latest version
of what might have been; emptying myself
into the emptiness, negotiating the rush,
as a pick-up truck plows through the slush;
and I resign myself to another night, another day,
serving out a sentence.
I told myself I’d stay.

Outsiders here are quickly identified:
they’re clean shaven.
I observe the bartender’s warmth
with other customers.
Surrounded by laughter,
I watch the bubbles in my beer,
shooting from the bottom of the glass
to a rapidly nearing surface, evenly spaced,
like asteroids in a primitive video game,
and leave unthanked.
On the street a creature is drawn to me:
A vicious black dog, grudgingly restrained
by an unapologetic owner.
These excursions strike me now,
as they always strike me at this point,
as being selfish and pointless.
What am I doing here?
When will I learn?
Despite all the goodwill I brought with me,
the place gave me nothing in return.

September 28, 2011

NATURAL BEAUTY

If this really is the last of life
that I am far from savoring,
why am I still wavering?
Why not just get it over with?
It seems as good a time as any.

The foliage rustles
with a soothing morbidity,
while trees are distant and aloof,
as if aware of my fate
but requiring proof.

Nature has given up on me
and beauty is my enemy.
I sought it out and found it
where it didn’t belong.
Now it elicits difficult memories
and it’s just gone.

August 16, 2011

Memories of Bourbon Country

Bourbon Country, that’s what they call it, but it’s almost impossible to find a bar. Eventually, I find one, with a giant TV screen blasting commercials at an obnoxious volume, and no customers. I fill up on the outskirts of Henderson. The gas pumps very slowly. “Do you have a kink in your hose?” asks the attendant. “Funny you should mention that,” I say, and continue up the slow, twisting river route. Every twenty minutes another anti-abortion billboard and another crumby little town with its tanning salon and video store. I assume that the emptiness of these places is a manifestation of my inner emptiness, but perhaps I’m merely an observer and there’s no psychic exchange going on. Perhaps the emptiness is already there, and will remain after I leave. Perhaps it’s not all about me, after all. How strange, after having operated on that premise for so long.

Owensboro is another seething, vacant town. I sit on the bluff and gaze down at the river. Smokestacks fume dreamily across the river but any potential tranquility is ruined by people motoring around loudly on some form of water skis. It’s a relief to find an open store advertising Racing Forms in the window. The little man behind the counter makes no effort to hide his immediately unfavorable impression of me. He notifies me that the Churchill Downs season is over, that Ellis Park is now running. I walk out, fed up with scared and suspicious small town people who pride themselves so much upon their non-existent hospitality.

The agonizingly slow Dixie Highway delivers me into downtown Louisville. I take an evening stroll along the abandoned rows of storefronts on Third Street. For over three hours I drive around in search of accommodation. There don’t seem to be any cheap motels in Louisville and I’m not prepared to pay for a more expensive place, as I only need somewhere to lie down for a few hours, and it’s getting late. The cheap motels can be found out by the airport, so I’m told, so I drive to the airport, and find none. In a state of great agitation, I drive as far as Shively, Kentucky, where I find the Royal Inn, a frightening place, more project than motel. It consists of two floors with an enormous patch of overgrown turf in the middle. The woman at the desk appears to be dying of lung cancer. In the adjoining bar four fat Kentucky girls with frosted hair, wearing  shorts, perform a karaoke version of a modern country song on a small stage.  An old-timer gets up and sings “King of the Road.” I hover against a wall, drain my beer and return to my room.

There’s not much incentive to get out of bed the next morning.  It’s almost noon on a suffocatingly hot day by the time I finally rise to the occasion. I find my way to Churchill Downs. From there I’m directed to SportsSpectrum, apparently the largest off-track betting facility in the country. The California tracks won’t be running until 4pm eastern time. I buy a cup of coffee. Naturally, there’s no cream or even milk to put in it, just synthetic powdered muck.

I park by the Seelbach Hotel and walk along a street of abandoned theaters and wig shops. Saturday afternoon, the downtown streets are deserted and I can’t find anywhere to eat until I stumble upon an Italian restaurant that serves only Middle Eastern food on weekends. A beshorted Caucasian homosexual brings me a vegetarian kebab that I’m too dispirited to eat. It takes half an hour to wade through half of it and push the plate aside.

I drive around old Louisville with its streets of red-brick dwellings that I might have lingered upon were I in a more receptive mood. At 3.30pm I return to SportsSpectrum. I sit down at a table with a plastic container of overpriced watery beer and peruse the Hollywood Park card in the Racing Form. A young man in a purple T-shirt joins me. He’s excited, having already made $150. For the next few hours our fortunes vacillate, his more dramatically than mine. He leaves about $350 ahead. I make $23, and I’m delighted with it.

The sun goes down and a full blue moon rises over the horizon. The reality of Lexington as a boring college town in summer doldrums comes as something of a shock. Once again my expectations erred on the overoptimistic side. I pull over in the campus area and eat in an otherwise empty Chinese restaurant. Luckily, I stumble upon the Kimball House, an unobtrusive red-brick building on a residential street: a boarding-house masquerading as a motel, presided over by a crotchety old widow who resembles Eudora Welty. She leads me through a maze of corridors to a small room containing a single bed, a chest of drawers, a rocking chair and a lamp with a huge dead cockroach lying in its upturned shade. The building is eerily quiet. I seem to be the only guest. Arrangements of decaying furniture stand in hallways and alcoves. The lobby contains some interesting features, including a vintage metal city-to-city mileage indicator on the wall. I venture out for a couple of drinks in a couple of frat bars, the only places I can find, and return to sit in the lobby, below the ceiling fan, on a battered, veiny sofa.

The old lady is knocking on the door at check-out time, 11.00am the next morning, making certain that I leave on time. She fusses around the room, bemoaning certain liberties I have apparently taken with the air conditioner. Then begins the familiar futile quest for coffee on a Sunday morning in a southern town, ending in a styrofoam cup at Burger King.

August 8, 2011

Don’t worry about it…