December 2, 2017

WINDSONG

I have a heart like a wheelbarrow,
there are no windmills in my mind.
Love blows in and floats around freely
like the wind – getting in the way
of other things.

This rootless love without design,
which has no object, point or point of origin –
one looks for it in every face,
looking for somebody to become that place
where everything that falls apart
falls into place.

It seeks definition, a place of rest,
to find its home in a woman’s breast –
to die there, or multiply there.
When, surely, to keep it to oneself
would be best.

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November 10, 2017

Regen Projects group show

September 18, 2017

Inertia Variations (slight return)

The The’s interpretation of John Tottenham’s The Inertia Variations will be released this fall. It features Matt Johnson’s oratorial stylings laid over a gorgeous soundscape and an ingeniously devised morning-till-night time frame rearrangement of the original work.
Available October 6th…
http://http://www.thethe.com/

September 18, 2017

Inertia Variations – The Film

The Inertia Variations, a feature-length documentary by Matt Johnson (The The) and Johanna St Michaels—inspired by John Tottenham’s book of the same name—will be making the rounds in the UK this autumn. Matt Johnson’s recitation of ‘Inertia’ verses function as a sort of verbal soundtrack that is woven throughout the film as he reflects upon his own struggles with work-avoidance, indolence and related afflictions and affinities.
The film will run at the ICA in London from October 20th to 26th, followed by engagements in Bristol and Manchester.
http://http://www.thethe.com/news/

 

July 22, 2017

The lowest form of literary endeavor

Yet I honor this stale ceremony.
As if anything of value might be extracted from the refinement of futility.
Recoiling from the sight of these words dying on the page.
The results induce uneasiness and distaste, but I must press on and complete something for once in my life, even if it should have been expunged from my system twenty years ago and has grown irredeemably stale; even if it falls miserably short of my aim, not that I ever had an aim.
It would be nice if all this was building up to something. But it isn’t.
Nevertheless, I proceed.
Towards what futile end I know not.
I thought there was still time to get started but it’s almost all over.
Maybe I’ve done everything I was ever capable of doing.
Just because it went unnoticed doesn’t mean it’s not over.
At this rate, maybe, in ten years time, if I’m lucky, I might have completed something, if I live that long.
I certainly can’t blame anybody for their indifference. I already find my own interest waning.
There’s no point carrying on about it.
This is surely the lowest form of literary endeavor: driveling on about oneself.
What’s the point of actualizing oneself if nobody can relate to what you’re actualizing or derive derive any solace from it?
But it can be pleasant sitting here, stroking the keys in anticipation.
There’s nothing else I’d rather be doing. That’s the sad part… one of the saddest parts.

At least write one line this morning:

April 6, 2017

Fresh Failure

I could have been
ahead of my time;
I could have been
me.
Nevertheless, I proceed,
directionlessly,
hoping to profit
from useless hard-won knowledge,
and brooding about mortality –
about how depressing it is
that nobody knows my name,
and how inconvenient
that one has to die
in order to receive posthumous acclaim.
And worse still, that one
has to have accomplished something.
I must put that on my to-do list.
But what are you going to do
when the life you passively awaited
has slowly passed you by?
You can’t hate something
because you made it unattainable,
and you can’t resent other people
because you let yourself down.
But you can try.

March 22, 2017

An Occasion of Near Spiritual Significance

Shouldn’t art be the residue of life and not the main thing?

This novel thought struck me while I was brushing my remaining teeth. I held on to it and as soon as I got out of the shower I wrote it down.

Unless writing is the means by which one earns one’s livelihood, isn’t it more important to live? If one enjoys writing, then write, but if one has to bribe oneself to do it, if it isn’t financially rewarding – or rewarding on any level beyond this dubious notion of actualizing oneself – and if nobody is reading it, then why bother? Why sacrifice potentially enriching experience in order to engage in an act that nobody else, oneself included, benefits from? Surely art shouldn’t be prioritized over life? And even if one is compelled to do it professionally or out of some misguided sense of purpose, even then isn’t it more important to experience life than to examine and transcribe it?

Maybe there are a few cases of supremely gifted individuals whose works are sufficiently edifying and entertaining that the prioritization of art over life – or the more exalted status of art as life – is justifiable.

It is doubtful, however, for the vast majority of people that call themselves or think of themselves as artists, that on their deathbeds they will look back and value their creative or professional achievements over love and the living of life.

But perhaps what one values most on one’s deathbed isn’t the most reliable index of worth.

Anyway, I’m not on my deathbed, I’m just sitting at this desk.

February 18, 2017

An Unoriginal Observation

wing

By the time one has learned how to live,
there isn’t much time left to profit
from what one has learned.

And it’s too late to still be learning,
too late to still be burning,
to come to terms with the past
by learning the easiest things last.

February 12, 2017

Suck Sorrow

suck-sorrow_new

Yes, my dear, we have each other:
that’s what worries me.
I wouldn’t focus on your flaws
if you did not call yourself mine;
you are the living embodiment of my failure,
another symptom of my decline.
But, darling, please don’t let our love ever die.
Because if it does, I’ll be shattered
by all the time I’ve wasted
keeping it alive.

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October 22, 2016

Counterfeit Immortality

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Gissing, Orwell, Kafka, Lawrence: What do these distinguished authors have in common? They all produced a lot of great work, certainly, but surely their most important unifying quality is that they were all younger than me when they died. I have now lived longer than a lot of people who achieved a lot more than I am ever going to achieve. Taking into consideration how much time I have already wasted and how much time realistically remains – and how much of that remaining time is likely to be wasted – then that situation is unlikely to change. Even if I devoted every available remaining hour in unswerving devotion to this unrequired and rewardless task, it would still be impossible to ease the margin of defeat and offset the overwhelming backlog of lost time. It is no longer possible to measure my own lack of progress by that of other authors who started ‘late’. I have now surpassed them all. When ‘they’ talk about an author’s career taking off, and their ‘finally’ producing the work for which they are rightly revered, the author is always at least ten years younger than I am at time of said ‘take-off’. There are others who seemed old when I was young, who started to produce work at a sensible age and have continued to produce it; they have been old for a long time, whereas I have been young for a long time, because I haven’t started yet. I have spent twenty-five years preparing to start. And it’s not as if I haven’t spent all this time struggling with literary endeavor; it’s just that I haven’t finished anything. Well, that’s something: a point from which to recede.